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EIZO case study shows why retouching teams need a shared reference

A new EIZO profile of retouch artist Jan Wischermann connects monitor consistency with reversible editing and clear communication across a creative team.

Jan Wischermann working with a pen tablet beside a hooded EIZO ColorEdge display and a laptop
Image: Source: EIZO — Jan Wischermann case study, original photograph · Original source article
  • EIZO listed the case study in its news archive on 29 October 2026.

Wischermann develops RAW files mainly in Capture One, then performs detailed work in Photoshop. For commercial projects, he keeps colour grading in Photoshop to preserve the ability to revisit decisions. Repetitive output tasks are automated while visual judgement remains manual.

According to the case study, his office uses a ColorEdge CG3100X, with CG2700X displays at home and across the team. Scheduled calibration through the monitors’ integrated sensors helps maintain a consistent reference for review and correction.

The account also stresses early collaboration: inconsistent lighting in composite images, poor source selection and avoidable styling problems can all increase post-production work. A dependable display is one part of that wider process.

Source & dates

EIZO ↗ Opens in a new tab
Source publication
Our publication
30.10.2026
Source verified
30.10.2026

An original editorial summary of the linked source. Product specifications are attributed to the manufacturer.